THE COMPOSITES

Images created using composite sketch software and descriptions of literary characters, sourced from books and readers. The project ran weekly from 2012 to 2015 with occasional updates and additions after. Brian J Davis is a filmmaker and digital artist living in Brooklyn. His work has been collected in Against Expression: An anthology of conceptual writing (Northwestern University Press) and Always Apprentices: The Believer Presents 22 Conversations Between Writers as well as The Guardian, The New Yorker, People Magazine, and The Believer. He's the co-creator, with Emily Schultz, of the podcast series The Blondes. 

thecomposites:
“Judge Holden, Blood Meridian, Cormac McCarthy
An enormous man dressed in an oilcloth slicker had entered the tent and removed his hat…He was bald as a stone and he had no trace of beard and he had no brows to his eyes nor lashes to...

thecomposites:

Judge Holden, Blood Meridian, Cormac McCarthy

An enormous man dressed in an oilcloth slicker had entered the tent and removed his hat…He was bald as a stone and he had no trace of beard and he had no brows to his eyes nor lashes to them…He was close on to seven feet in height… His face was serene and strangely childlike…His hands were small. (Multiple suggestions.)

Updated image: Based on the consensus from The Onion AV Club discussion, Judge Holden has been updated to be bulkier. 

RIP Cormac McCarthy.

The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson
To this rule, Dr. Jekyll was no exception; and as he now sat on the opposite side of the fire—a large, well-made, smooth-faced man of fifty, with something of a slyish cast perhaps,...

The Strange Case of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson

To this rule, Dr. Jekyll was no exception; and as he now sat on the opposite side of the fire—a large, well-made, smooth-faced man of fifty, with something of a slyish cast perhaps, but every mark of capacity and kindness…The large handsome face of Dr. Jekyll grew pale to the very lips, and there came a blackness about his eyes.

Mr. Hyde was pale and dwarfish, he gave an impression of deformity without any nameable malformation, he had a displeasing smile…thickly shaded with a swart growth of hair…corded and hairy…God bless me, the man seems hardly human! Something troglodytic…Edward Hyde was so much smaller, slighter, and younger than Henry Jekyll. Even as good shone upon the countenance of the one, evil was written broadly and plainly on the face of the other…The few who could describe him differed widely, as common observers will. Only on one point, were they agreed; and that was the haunting sense of unexpressed deformity with which the fugitive impressed his beholders.

https://vimeo.com/73550288

Ducks is a film created using only the therapy scenes from The Sopranos. 

The foundation of TV drama is built on the interaction of A plot and B plot. But the magisterial turn during The Sopranos first season was that its B plot turned out to be the A plot all along. I’ve read commentary that new fans of The Sopranos are skipping the therapy scenes while watching the series for the first time. Hopefully, this editing exercise proves that you could have just the therapy scenes with Tony and Dr. Melfi (and some cameos from Tony’s unconscious) and still have the dramatic heart of the show. Remixed by Brian J Davis using the most recent Blu-ray edition and Adobe Premiere Pro. All footage comes from season one of HBO’s The Sopranos. Some foley and transitional music cues were added.

thecomposites:

Lestat de Lioncourt , The Vampire Lestat, Anne Rice

I have thick blond hair, not quite shoulder length, and rather curly, which appears white under fluorescent light. My eyes are gray, but they absorb the colors blue or violet easily from surfaces around them. And I have a fairly short narrow nose, and a mouth that is well shaped but just a little too big for my face. It can look very mean, or extremely generous, my mouth.

Buy the book

RIP Anne Rice.

Rachael Rosen, Do Androids Dream of Electric Sheep?, Philip K. Dick
When he landed the police department hovercar on the roof of the Rosen Association Building in Seattle he found a young woman waiting for him. Black-haired and slender, wearing the...

Rachael Rosen, Do Androids Dream of Electric Sheep?, Philip K. Dick

When he landed the police department hovercar on the roof of the Rosen Association Building in Seattle he found a young woman waiting for him. Black-haired and slender, wearing the new huge dust-filtering glasses…She had, on her sharply defined small face, an expression of sullen distaste. She eyed him from beneath long black lashes, probably artificial…Rachael’s proportions, he noticed once again, were odd; with her heavy mass of dark hair her head seemed large, and because of her diminutive breasts her body assumed a lank, almost childlike stance. But her great eyes, with their elaborate lashes, could only be those of a grown woman…Some female androids seemed to him pretty; he had found himself physically attracted by several.

Can a werewolf girl find love in NYC? Find out on March 16th when our new scripted podcast premieres!  Written and Produced by Brian J Davis & Emily Schultz, The Bite is a 4-episode horror comedy series that follows Tess, a young Brooklyn playwright, who awkwardly stumbles into joining a wealthy all-female werewolf pack in the Hamptons.

Performed by Cecilia Corrigan, Jenny Grace Makholm, with Roberta Colindrez (Starz’s Vida, HBO’s The Deuce), Rob Belushi (HBO’s Ballers), Ronald Peet (Netflix’s I-Land), Grace C. Williams (Lena Waithe’s Rising), Bree Elrod (Sean Baker’s Red Rocket), and Carson Elrod.

Check our thebitecast.com to subscribe on iTunes, Spotify, Stitcher, and Audible. 

RIP JOHN LECARRE

George Smiley, Call for the Dead & Tinker Tailor Soldier Spy, John le Carre

Short, fat, and of a quiet disposition, he appeared to spend a lot of money on really bad clothes, which hung about his squat frame like skin on a shrunken toad. Sawley, in fact, declared at the wedding that ‘Sercomb was mated to a bullfrog in a sou'wester’. And Smiley, unaware of this description, had waddled down the aisle in search of the kiss that would turn him into a Prince. (Call for the Dead) From the outset of this meeting, Smiley had assumed for the main a Buddha-like inscrutability from which neither Tarr’s story nor the rare interjections of Lacon and Guillam could rouse him. He sat leaning back with his short legs bent, head forward, and plump hands linked across his generous stomach. His hooded eyes had closed behind the thick lenses…Here Guillam sensed a wave of unusual anger, imparted by a ghostly smile that crossed Smiley’s pale lips. (Tinker Tailor Soldier Spy)

Alec Leamas, The Spy Who Came In From The Cold, John le Carré

Leamas was a short man with close-cropped, iron gray hair, and the physique of a swimmer. He was very strong. This strength was discernible in his back and shoulders, in his neck, and in the stubby formation of his hands and fingers…He had an attractive face, muscular, and a stubborn line to his thin mouth. His eyes were brown and small; Irish, some said. It was hard to place Leamas. If he were to walk into a London club the porter would certainly not mistake him for a member; in a Berlin night club they usually gave him the best table. He looked like a man who could make trouble, a man who looked after his money; a man who was not quite a gentleman… His brown eyes rested on her for a moment: “I’ll tell you when,” he replied.

What if you served 15 years for a murder you don’t remember? 

My partner Emily Schultz has published her new novel, Little Threats and Apple Books has selected it as a Best of November pick! They said, “Schultz’s finely honed thriller led us through a nerve-racking maze of dubious memories and questionable intentions. All the while Kennedy’s dark journey toward the truth takes shocking, Gillian Flynn–level twists and turns. Little Threats is exactly the kind of thriller you want on a cozy night in.”  Kimberly McCreight, author of Reconstructing Amelia called it, “Brilliantly structured and gorgeously written. It’s a story of love and loss, the power of guilt and the savagely delicate fabric of family.“

But it from Penguin Random, at your local indie, or at Amazon

thecomposites:
“ Mrs. Danvers, Rebecca, Daphne du Maurier
Someone advanced from the sea of faces, someone tall and gaunt, dressed in deep black, whose prominent cheekbones and great, hollow eyes gave her a skull’s face, parchment-white, set on a...

thecomposites:

Mrs. Danvers, Rebecca, Daphne du Maurier

Someone advanced from the sea of faces, someone tall and gaunt, dressed in deep black, whose prominent cheekbones and great, hollow eyes gave her a skull’s face, parchment-white, set on a skeleton’s frame…her hollow eyes never leaving my eyes… I watched her, fascinated, horrified; a queer ecstatic smile was on her lips, making her older than ever, making her skull’s face vivid and real… her mouth working strangely, and dragging at the corners.

Updated image: Slightly younger, deeper eyes.

With apologies to Kristin Scott Thomas.

thecomposites:
“ Nurse Ratched, One Flew Over the Cuckoo’s Nest, Ken Kesey
Her face is smooth, calculated, and precision-made, like an expensive baby doll, skin like flesh-colored enamel, blend of white and cream and baby-blue eyes, small nose, pink...

thecomposites:

Nurse Ratched, One Flew Over the Cuckoo’s Nest, Ken Kesey

Her face is smooth, calculated, and precision-made, like an expensive baby doll, skin like flesh-colored enamel, blend of white and cream and baby-blue eyes, small nose, pink little nostrils—everything working together…Her face is still calm, as though she had a cast made and painted to just the look she wants…Confident, patient, and unruffled.

No more little jerk, just that terrible cold face, a calm smile stamped out of red plastic; a clean, smooth forehead, not a line in it to show weakness or worry; flat,  wide, painted-on green eyes, painted on with an expression that says I can wait, I might lose a yard now and then but I can wait, and be patient and calm and confident, because I know there’s no real losing for me. Buy the book.

Netflix released first look photos from the upcoming series ‘Ratched’ starring Sarah Paulson. 

We’re happy to announce The Blondes podcast will be available in French and Spanish as the first dubbed podcast on the Sybel network. Based in France and specializing in scripted and documentary podcasts, Sybel was named Google’s App of the Year in 2019 and has over one million monthly users. The French language version will be available in July, with the Spanish language version coming later in the year. We’d like to thank everyone at Sybel for working on this through the worst days of the pandemic for both Paris and New York, and for bringing what was always an internationally minded story to a truly global audience. And thank you, one more time, to EP Duncan Birmingham, Consulting Producer Jenny Grace, all the musicians, and everyone in the original cast.

In 2008 I was inspired by Emily Schultz’s unique cure for insomnia—falling asleep to endlessly looping Werner Herzog DVD menus.  Original Soundtrack grew from there into a one hour piece for an orchestra of TVs and looping DVD menus from film history and was performed live in New York, Toronto, and Los Angeles. A graphic score was used to make it semi-repeatable but syncing was random, or at best done with stop/start on remote controls.  This remastered album was recorded live at Issue Project Room, Brooklyn, October 9, 2008.

It’s free to listen at Bandcamp here and downloads are PWYW.  

What happens when a rabies-like illness that only affects blonde women changes our world? Madeline Zima (Twin Peaks), Dana Berger (Orange is the New Black), Helen Hong (Inside Llewyn Davis), and Rob Belushi (How I Met Your Mother) star in this podcast adaptation of Emily Schultz’s best-selling satirical, sci-fi horror novel, The Blondes. Angry, funny, and with dark turns into body horror, The Blondes is an unflinching look at media and viral ideas, illness and profit, and what happens when beauty becomes, literally, deadly. Listen to season one, now on iTunes and Spotify!

The latest video from Heroic Collective Productions is live on Vevo today! It’s for the new single “Earthbound” by Los Angeles based doom pop band  Death Hags.   A visitor to the planet lands in Greenpoint, Brooklyn, and makes their way the center of the universe, which, if you don’t know, is in Flushing Queens. A riff on The Man Who Fell to Earth, this was a very fun shoot over a couple of very hot days. Thanks to the cast and crew and to Lola of Death Hags for creating such a perfect track of space dust! 


Director: Brian J Davis | Producer: Emily Schultz | Assistant Director: Tobias Carroll | Cast: Lola G, Alex Podulke, James Greer

Theme by Other