Clerihews (poems about your favorite characters)

For a brief while I had a Twitter account using the name @Cleracters. There, I posted clerihews (a specific type of light verse poem) about television characters. I wrote a ton of them, so I thought I’d share some here. They’re roughly organized by genre.

Animation

Louise Belcher

Bullshit squelcher

Speaks her mind

Even when it’s unkind

Lana Kane

Was the bane

Of Archer’s existence

Despite his persistence

Regular-sized Rudy

Pain in the patootie

But the Belcher kids aren’t jerks

They accept him for his quirks

Diane Nguyen

Needs a win

So she’ll pen the memoir

Of a washed-up old star

Peggy Hill

Has zero chill

With feet that are mannish

She loves teaching Spanish

Lisa Simpson

Dress of crimson

So precocious that she’s stayed

Thirty years in second grade?

Hilda and Twig

Met someone big

Helped him locate his spouse

Then he stepped on their house

Bender Bending Rodriguez

Frye will do what he says

Cuz that robot knows the way

To live it up in 3K

Little Stan Marsh

Knows life is harsh

But not afraid to say

“I learned something today”

Patrick the Squire

Did fondly aspire

To a job where he toils

For incompetent royals

Ensign Mariner

There’s no scarin’ her

Just makin’ margaritas

For the crew of the Cerritos

Sit-coms

Nandor the Relentless

Existence is endless

Never met a village

He didn’t want to pillage

L’il Sebastian

Loved with a passion

Made us all cry

When he learned to fly

Chandler Bing

Did the strangest thing

Spent the day in a crate

Cuz he kissed Joey’s date

Moira Rose

Communed with crows

Revived her career

With a homespun premiere

Eleanor Shellstrop

Cream of Hell’s crop

Draining down a bottle

And quoting Aristotle

Dwight Schrute

Has a favorite root

Will mainsplain the deets

Of growing great beets

Dramas

Grogu the child

Appears meek and mild

But actually on a mission

The Force is strong with this one

Daenerys Targaryen

Changed her hair again

Perfect up ‘do for killin’

Is she hero or villain?

Veronica Mars

Bears a few scars

They give her perspective

As a badass detective

Sheriff Rick Grimes

Awoke in hard times

Dawn of a genocide

“Don’t open. Dead inside.”

Olivia Moore

Presumed dead onshore

But the party at sea

Made her a zombie

Noho Hank

Perfectly frank

Takes killing seriously

Loves his friends deliriously

Holiday

Yukon Cornelius

Hearty and fearless

Seeking out riches

And mushing those bitches!

Santa’s Little Helper

Not a biter, but a yelper

Dead last at the races

Put smiles on kids’ faces

Charlie Brown

A constant frown

What’s this eight-year-old’s trauma

That he’s got so much drama?

Abed Nadir

Brings holiday cheer

To his cynical friends

As his own psyche mends

Favorite Pilots of 2016

In the spirit of year-end lists, which I love, I offer my own mini-list. I’m calling this “favorite” rather than “best,” considering there are probably lots of great pilots out there I have yet to see. Inspired by other “best of 2016” lists, I’m eager to watch Search Party, Insecure, and Westworld. But for now, here are my faves.braindead

  1. Stranger Things

Do I even need to explain? The pilot featured Dungeons & Dragons, heart-warming humor, heaps of nostalgia, a hint of government conspiracy, and a scary-ass kidnapping scene. By the end of the episode, you still don’t know quite what you’re dealing with, but you know it’s something special. Continue reading

Going Off Your Meds

Two shows I’ve been binging lately — and enjoying tremendously — open with the trope of the protagonist quitting mental health medication. Both United States of Tara and Crazy Ex-Girlfriend feature strong lead female characters struggling with their mental health. Both shows are noteworthy for their darkly comic, complex, honest presentations of mental illness. But they both lean on the shorthand device of the main character quitting medication.

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“Going off your meds” could be called a sub-trope of the popular pilot plot line I call “First day of the rest your life.” I can’t say I’ve seen it a lot, but it appears in movies like Garden State. (If you have other examples, please tweet them to me @meek_the_geek.) It was subverted in the pilot of Wilfred, where Ryan decides to take all the meds. Continue reading

Supernatural and victim POV

I’ve never watched Supernatural. By pure coincidence, I chose today to start watching it. I only found out afterward that today is the anniversary of the day the story begins, November 2, 1983. [Cue spooky music.]

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Here is the sum of everything I knew about the show. Two dreamy brothers, one of whom was played with an actor who left Gilmore Girls for the role, chase down supernatural beings. And that the driver picks the music and shotgun shuts his cake hole. That’s it. Continue reading

The Walking Dead has lost its soul

I know I’m far from the only person to be disappointed by the season 7 finale of The Walking Dead. But I’ve felt the need to pinpoint exactly where the show went off the rails for me, and to articulate what, precisely, it has lost.

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In the beginning, I was surprised to find myself enjoying a horror show so much. “It’s not about zombies,” was how I explained it to everyone who hadn’t seen it. “It’s about the people.” Not only was it about people… it was about hope. I’m sorry to say good-bye to beloved characters, but such good-byes are par for the course. What I can’t forgive is the loss of hope. Continue reading

Wayward Pines and red herrings

Wayward Pines is the kind of show that defies you to answer the question “What is it about?” without giving away what it’s about. As soon as you hear the name M. Night Shyamalan, whatever you’re watching, you’re going to start scouring each scene for clues… clues to the almighty Twist. (Spoilers start mid-way though this post, with a warning.)

Wayward-Pines

Produced by Shyamalan, Wayward Pines is based on a series of novels of the same name by Blake Crouch. Season 2 just started, and I couldn’t decide if I was excited about it or not. So I rewatched the pilot, which I remember a suspenseful and riveting. The first half of the first season, up to The Twist, kept me guessing, theorizing, and eager for the next week. After that investment, I wanted to stay engaged — it was the summer TV season, after all — so I kept with it and more or less enjoyed it. It’s now, having all of the information about what the show is about, that I realize the pilot isn’t that good. It’s pretty awful. Continue reading

Younger and suspension of disbelief

I really wanted to like Younger. I can’t resist the if-I-knew-then-what-I-know-now fantasy (see Being Erica). Also Sutton Foster. Sutton Foster is fabulous and adorable as a theatre actress, but her talent hasn’t translated too well to the tube. If Bunheads couldn’t figure out how to make the most of this shining star when she was playing a dancer… which she is… this one needed to work extra hard.

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Younger follows the misadventures of a woman in her 40s posing as a woman in her 20s to facilitate her transition back to the workforce following stay-at-home-mom life and a painful divorce. Continue reading

Jessica Jones

Fragility and toughness form the juxtaposed themes of the pilot of Jessica Jones, which debuted yesterday on Netflix. I know nothing of Jessica Jones from the comics, and I haven’t read any reviews of the show, so this is an unadulterated first impression.

JonesI couldn’t not think about the Veronica Mars pilot in the first few minutes. A female private detective spies on a tawdry hook-up as her voiceover provides exposition. We’re then transported to a hallway outside a dingy office where the textured glass proclaims the name of the business, Alias Investigations, not unlike the door to Mars Investigations. Then a client’s head comes through the glass and the similarity is, shall we say, shattered. (Doors are a recurring symbol, as well.) Continue reading

Punky Brewster: The child welfare system in three acts

Kids living with substitute parents were big on 80s TV. Television would have had us believe you could will your kids to your employer (Diff’rent Strokes), take in homeless teens (Growing Pains), force two guys you slept with to share custody of your kid (My Two Dads), or raise a robot as your daughter (Small Wonder), all without any legal intervention. I don’t know if the networks were just trying to be inclusive of less traditional families or catering to kids who wished they could trade theirs in.

PUNKY BREWSTER -- SEASON 1 -- Pictured: Soleil Moon Frye as Penelope 'Punky' Brewster -- Photo by: NBCU Photo Bank

In this climate, Punky Brewster’s premise wasn’t hard to buy, but the show went above and beyond in attempting to be realistic. In making the pilot a three-parter, the network expressed their confidence in the audience’s willingness to stick with it, and the creators acknowledged the complexity of the subject matter. Don’t misunderstand; the show debuted with all the trappings of an 80s sit-com, including a whimsical montage, but it boldly adopted the tone of a “very special” episode right out of the gate. Continue reading

Other Space

It takes a lot to think of something new to do within science fiction, but that doesn’t mean the old tropes have been exhausted. Other Space owes influences to many of the shows on this list of the 50 Greatest Sci-Fi TV Shows, but manages to find a unique voice of its own. In fact, it proves you don’t need a big name star or even explosions to succeed — although the name Paul Feig probably doesn’t hurt — he created, directed and produced it.other_space

Opening titles tell us that a “multi-national corporate coalition” was formed in the mid-21s century to map the cosmos, and that we’ll be following the adventures of a ship that went missing in 2105. We’re then thrown into action on the bridge of a spaceship, which could be any spaceship on any show. People are frantically shouting for the captain to make a judgment call when he enters with a tray full of hotdogs to share. It’s a ham-handed joke, but tells us all we need to know about central character Stewart.(Karan Soni). Crew morale is his utmost priority and his aw-shucks need to be liked will always trump his professional obligations. And that’s okay, because he’s just passed this simulation (we knew it was a simulation) with flying colors. Continue reading